Nov 04 2013
Here’s a commission I just wrapped up: Kang the Conqueror sitting on the “Iron Throne.” It was a lot of fun to do. That’s India ink and sepia wash on watercolor board. Live area is 10 x 15 inches.
The person who commissioned the piece has a gallery of commissions with that same theme on Comic Art Fans.
If you’re interested in commissioning artwork, you can contact me at the email address up in the nav bar. I’m pretty booked up through the holidays, but am fairly free from post-Christmas onward.
Oct 31 2013
Here’s a drawing of Lou Reed I started the evening he died and just wrapped up this evening. Since his death, people far more eloquent and far more knowledgeable about music than I have written about Lou Reed’s significance and importance. I’ll just say this: I discovered the Velvet Underground when I was in high school in the 1980s and theirs is some of the only music I’ve never stopped listening to since then. Lou Reed’s made a lot of records over the years. Some were great. Some were… not so great. But he was never complacent and and never content to make a record he’d already made.
The image is based on my two favorite post-Velvets Reed solo records: the pose and clothing are from a Transformer-era photo session and the color scheme is based on the blue hue featured on the record The Blue Mask. It was sketched in pencil, then inked and colored in Manga Studio.
Oct 31 2013
I’m honored to have Oyster War make the 2013 Best American Comics Notable Comics of 2013 list. The full list is here and even a cursory glance should give you an idea of what tremendous company I’m in. More generally, though, I’m really glad to see so many webcomics on the list. I’ve had a bee in my bonnet lately about the conspicuous absence of webcomics on a lot of those “best of” lists recently, so it’s really nice to see a list this year that’s a bit more representative of the current comics publishing and reading environment. Congrats to everyone who made the list… and especially to the folks who were included in the book itself.
Oct 03 2013
I had a friend ask me recently for advice on putting together a basic hardware and software setup for comics-making–with budget in mind. Here’s my response to her:
Software:
Clip Studio (formerly Manga Studio) is a great program (and reasonably priced). The standard/pro version is sufficient for most drawing needs and goes on sale occasionally for as little as $20. It’s definitely a specialized program though, that’s entirely geared toward comics-making. You can draw, digitally ink, lay out pages/panels, letter, color, etc. all within it.
SketchBook is a great simple drawing program with an innovative interface that’s designed specifically for tablets. It’s already pretty cheap and it’s actually free for students and teachers.
I currently have an older version of Photoshop, but I’m trying to wean myself of Adobe stuff because they’ve stopped selling their software the way they used to. You can only get their stuff now by having a monthly subscription, rather than just buying the software and upgrading every once in a while. It’s $50/month, which is too much for me. If you can get an older version of Photoshop somewhere, that’ll probably be sufficient for doing anything you need to do outside of Manga Studio, though.
There’s also a free image manipulation program called GIMP that you could look into. ( http://www.gimp.org/ ) Like a lot of open source stuff, the user interface isn’t anything to write home about, but it gets the job done–and it’s free. There’s also a version of GIMP that’s been tweaked to have as Photoshop-like an interface as possible, GIMPshop: http://www.gimpshop.com/ The only thing that I do regularly in Photoshop that I haven’t been able to figure out how to do in GIMP is photomerging–having the software assemble a page that’s had to be scanned in two or more pieces. It also doesn’t have a CMYK mode, but this will only matter to you if you’re doing professional work that’ll be printed on an offset press.
Hardware:
Scanners are a real problem. You can get an 8.5 x 11 scanner for dirt cheap, but if you want something larger, suddenly the price increases exponentially for some reason. I bought an ancient (1990s) Microtek 11×17 scanner with a SCSI connection for around $250 on ebay and have somehow gotten it to work via a crazy daisy chain of adapters and some software hacks. New large format scanners are super-pricey, though. I’d be cautious of Mustek scanners. Get the user manual from their site and make sure that whatever model you’re looking at scans at at least 600dpi–and make sure that it’s not listed as “interpolated” dpi/resolution. Basically, that means that it’s scanning at a lower resolution and then using some software shenanigans to make up the difference. I do know several people, though, who use and are happy with this almost reasonably priced Mustek large format scanner.
I’ve also seen people recommending large format combo printer/scanners. These two are the ones I bookmarked. A large format flat feed printer can be really useful as well: you can scan roughs, enlarge them, convert them to non-photo blue, and then print them out onto sheets of Bristol board.
All that said, you can get by with a regular old cheap 8.5 x 11 scanner. I did a 140 page graphic novel back when that’s all I had. You just have to scan every page of art three times and then put it back together in Photoshop or GIMP. It’s a pain in the ass and it takes a long time, but it can be done.
If you’re going to do anything with digital color, I really recommend getting a tablet. There are some really good low-priced alternatives out there to the standard super-expensive tablets. I know people who swear by this $60 Monoprice tablet.
So, the bottom line: if you can afford a $2200 Cintiq digitizing monitor and $50/month to Adobe, by all means do it, but you can also get by pretty well with Manga Studio, GIMP, a small scanner and a tablet–all for around $150 total.
Sep 30 2013
Here’re some commissioned drawings I recently wrapped up: the Silver Age JLA. I read mainly Marvel stuff growing up and admittedly don’t know a whole ton about Silver Age DC stuff, but I really enjoyed doing these and I really gained an appreciation for these great costumes. I’m also pretty happy with the way these turned out.
If you’d like to commission a superhero drawing, you can do so at my Storenvy here. (Or you can just email me via the email link in the nav bar.)
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