“Bucky Katt is on Pot” pt. 3

In what will likely be the final installment of this tempest in a teapot that wasn’t–namely last week’s Get Fuzzy story arc–I’ll post a small update with a few bits of info I received yesterday from folks who read my initial posts.

First off, I heard back from my friend at our local paper, The Winston-Salem Journal, and he confirmed that the Journal did not in fact run the (potentially) offending strips, but ran instead replacement strips presumably offered by the syndicate, who certainly must have anticipated resistance from the get-go. (Although I seem to recall that a Sunday Get Fuzzy in which Satchel is shown reading a partially obscured magazine called Bitches in Heat managed to slip through a while back.)

Andrew from MetaDC wrote in to note the interesting choice of replacement strips chosen by the syndicate (assuming that the ones running in The Washington Post are the ones offered to all the papers that chose not to run the strips). I’m not sure how much one can read into this, but apparently the replacement strips were from a previous story arc in which Rob tries to brew beer in his apartment! I’ve got to admit that it seems peculiar to me that a character shown brewing beer in his house is more acceptable to the general public than a character making sign with a slogan that could be construed as referring to–an not even necessarily advocating–marijuana use.

Anyway, at this point it seems like it’d be more fruitful to try to locate a paper that did run the original strips than to keep adding to the list of ones that didn’t. I’ve in fact yet to hear of any paper that ran them…

UPDATE: Well, if this article on Editor and Publisher is to be believed, I’m wrong on several counts. Apparently only 10-12 of the 650 or so papers that carry Get Fuzzy, opted to run the alternate strips instead of the Bucky pot slogan strips.

I’m also pleasantly surprised to be wrong as well in my supposition that, had the original strips been run widely, there would have been more complaining in evidence. Maybe people are so busy complaining about Lio that Get Fuzzy flew in under the radar?

On the other hand, it’s hardly a mark of pride that my local paper, The Winston-Salem Journal was one of the apparently few that wouldn’t run the original strips.  “City of the Arts,” my ass.

More on the “Get Fuzzy” Marijuana-themed Strips

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I noted last week a curious absence of protest about a current story arc in the comic strip Get Fuzzy in which Bucky Katt’s presidential campaign slogans are all–supposedly inadvertently–pro marijuana slogans. A bit of over-the-weekend Googling, though, has brought to light some interesting tidbits.

First and foremost, the storyline appears to have just been totally dropped by the cartoonist as of this week. Today’s strip reverts back to an earlier storyline about Bucky wanting a cell phone.

Secondly, it appears that the lack of brouhaha about the storyline may be due in part to papers pulling the offending strips, thus never giving the public a chance to react. MetaDC notes that the Washington Post put the strip into reruns rather than run the story arc. (The Post?! C’mon–I thought that was one ah them lib’ral papers!)

The comics curmudgeon made a passing reference to the storyline as well on Friday.

Blogger (and fellow philosophy major) Shawn Klein notes that the strips were pulled by The Arizona Republic and then, via a quick call to a family member, adds The Boston Globe to the list of buzz-kill papers. Duuuuude!

I subscribe only to the Sunday edition of my local paper, The Winston-Salem Journal, so I have no idea if they’ve been running the strips. I put in a call to a friend who works at the paper, though, and if I hear back from him, I’ll update. (And to anyone reading this, please feel free to chime in via comments about whether your local paper has been running the strips.)

Back to the web… The pot-related blog Yamagoo appears to have been tracking last week’s strips with some glee. Good luck with this site’s bizarre navigation, though–maybe you gotta be high to understand it. Down below that, on the first page of Google hits, is my first post on this subject from last week. If this blog is appearing on the first page of Google, you know nobody’s writing about it. All in all, the internets seem largely devoid of mention of the strips, leading me to speculate that perhaps the strips were pulled from a majority of the papers that carry Get Fuzzy and that largely only the folks who read the strip online got wind of them (so to speak). The other possibility I guess is that the strips have indeed been running, but that no one is really kavetching about it. I consider this highly unlikely, but I’d certainly love to be proven wrong on that count. (I’m neither a pot head nor a gung ho marijuana activist, but I’d really like to think that people have better things to get worked up about these days.)

Pan’s Labyrinth

I don’t have the background or expertise to write a film review that would even be considered well-informed (I’m all about the comics, see?…) but I will say that the new Guillermo Del Toro film, Pan’s Labyrinth, is awesome. Go see it.

Given that all of my sketchbook doodles for some reason wind up with goofy Peter Bagge-esque “spaghetti arms” (and the fact that I was drawing from memory), you’ll just have to take my word when I tell you that the creature from the film that I’ve drawn here is actually really, really creepy.

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“Bucky Katt is on Pot”

People these days have a tendency to get irrationally worked up about anything in the comics page of the paper that’s not totally innocuous. Just last week, for example, somebody had written their local paper about a Zits strip that had Jeremy doing the old mentos in the diet coke bit that’s been making the rounds on “the internets” these days. Apparently the writer had never heard of this and thought that Jeremy was shown throwing an actual bomb into the teachers’ lounge, and that the strip was making light of school violence. WON’T SOMEONE PLEASE THINK OF THE CHILDREN?! I can only imagine what this person might have thought of Jiggs and Maggie, or Andy Capp and Flo (although, admittedly, their weaponry was somewhat lower tech).

At any rate, this hypersensitivty is pretty typical of your average suburban newspaper comics reader, which is what makes it so incredibly baffling to me that no one’s even raised an eyebrow (as far as I can tell) about this week’s story arc on Get Fuzzy. On maybe Tuesday or so, Bucky Katt declared that he was running for president, and began debuting campaign slogans to Rob and Satchel. The running gag is that all of the slogans–supposedly unintentionally on the part of Bucky–are obvious pro-marijuana slogans. Here are a few:

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I say again, WON’T SOMEONE PLEASE THINK OF THE CHILDREN?!

Igor the Cowboy pg. 2

I’ve wrapped up my two page “guest appearance” for the forthcoming sequel to Chris Reilly’s The Trouble With Igor. I’m not sure how successful I’ve been at aping the “bigfoot” cartooning style of the ’20s–in fact, I don’ think I really get a decent bigfoot style drawing of Igor until panel five on page two. One interesting thing, though, about doing this was realizing in a real hands-on way how much the vocabulary of the comics art form came to be influenced by the conventions of Hollywood cinema.

Even at a casual glance, someone with any familiarity with old newspaper comics can tell that this story doesn’t look truly authentic. That’s mainly because the story as written called for–and really required–panel compositions and croppings that would only enter the comics vocabulary later via film. The style I’m immatating–E.C. Segar-ish stuff–was still heavily vaudvillian in most respects and since the artists weren’t thinking in terms of “camera angles” as they so often do today, you almost never saw panel compositions in older comics than didn’t show the entire body.

Interestingly, I also noticed that the “establishing shot” of the General Store which the script called for (in page two, panel one) is something that you don’t see a lot of in older strips, I’m guessing because this visual device doesn’t really have an equivalent in the world of stage, in which characters travel from scene to scene exclusively by means of changes of interior scenery.

On a less analytical note, I also learned that modern Hunts/Speedball inking nibs pretty much blow in comparison to whatever folks must have been using back in the day. I’ve heard some comics folk saying that they’ve switched to using Japanese Nikko G-Pen nibs, claiming that they’re much better made. I’ve added them to my “check it out” list…

Anyway, here’s the completed story. I’m reposting page one since I’ve now reversed panel two in order to do a better job of establishing direction of movement. Now Igor moves right across the page until he reaches his destination (the store) and then returns to the sandbox by moving left across the page, putting him back in the correct panel relationship to the kid when he gets there.

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