Animal Alphabet: F is for Flying Fox

Did you think spending a long weekend in Toronto, Canada would make me slack off on my “F” animal this week? Think again! I managed to execute this drawing of a flying fox in my hotel room over the course of TCAF. I foolishly forgot to pack my bottom-of-the-line watercolor set, but that just gave me a good excuse to hoof it on over to Toronto’s Curry Art Supply and upgrade to a decent set of watercolors.

You can follow the other “F” entries as people post them to Twitter this morning by following the #AnimalAlphabet hashtag. To see all the entries so far, check out the Animal Alphabet Tumblr: http://animalalphabet.tumblr.com.

F is for Flying Fox

The original art for this is for sale here.

Illustrated Lord of the Rings… by Ben Towle, age 7

Before my daughter takes her afternoon nap, I usually read her a few pages from a non-picture book to help her doze off. We’ve gotten through a surprising number of books in this fashion–mostly things like William Steig’s Abel’s Island and the Ramona books.  Last week we started reading The Hobbit by J.R.R Tolkien.

My mother read The Hobbit to me when I was around the same age (three-ish) and I likely comprehended about as much of it then as my daughter will now: not a whole heck of a lot. I did, though, develop a genuine childhood interest in things-Tolkien, most likely a result not of the book The Hobbit but from the 1977 Rankin/Bass animated TV special and its accompanying double LP soundtrack set that I listened to ad nauseum as a youngster. Curiously, though, the visual aspects of Middle Earth haven’t seeped much into my artwork. While my love of J.R.R. Tolkien’s work continues to this day, (I regularly re-read the Hobbit/Lord of the Rings series every few years) my artwork is decidedly non-fantasy-ish in nature.

This was not always the case, though. I got some positive reactions to an earlier post of one of my childhood “mini-comics,” so here for your viewing and/or laughing-at pleasure is my Lord of the Rings-themed childhood mini-comic, “The Hobbit Story’s” (sic).

Here’s a picture of me holding it, so you can get an idea of the size of the thing. I was Kramers Ergot 7 before Kramers Ergot 7 was cool. Masking tape binding, though?! C’mon, Mom, couldn’t you shell out for a long-reach swing-arm stapler like all the “cool kids” use to make their mini-comics? Incidentally, I’m guessing I was seven when I made this based mainly on the character designs of Bilbo and Gandalf in the book, both of which seem to be influenced by the Rankin/Bass adaptation that I would have seen in ’77 when I was seven years old.

The book is eight pages total, but I’ll just excerpt a few here. Most of the pages are just illustrations of characters from The Hobbit and/or Lord of the Rings. Here’s one, for example:

You can see here some early gore: the orc has apparently felt the bite of “Sting,” Bilbo’s blade. For some reason I was apparently under the impression that the Balrog was THE Lord of the Rings. I love the way he’s drawn like a bat, which makes him look really tiny. “YOU SHALL NOT PASS, LITTLE DUDE!!” I think that ent is drunk. And, ah, who can forget the enigmatic wizard, Gondof.

Here’re a few more:

Bilbo here is clearly the beady-eyed “alternate world” Bilbo from Coraline. In the upper right is Shelob, I think. What she’s walking on top of  is anyone’s guess. I gotta say, though: other than the missing “u.” that’s not a bad Smaug.

A few more characters:

I’m gettin’ all obscure on ya here. Hurons are ent-like creatures that can create darkness around themselves. They can speak, but only to each other and to ents– not to other races. I’m pretty sure they don’t breathe fire, as pictured here (a little “artist’s license,” I guess). It really goes without saying, but Narsil was the sword of King Elendil of the Dúnedain, which in a later age was reforged as Andúril. I have no official comment on my Hershey’s Kiss-like  character design for Aragorn, nor on what that thing’s supposed to be directly underneath him.

Mom is clearly assisting handwriting-wise with this inscrutable “chart”:

What’s with the numbering? My best guess is that this is the order I’d pick characters from Middle Earth to play on a kickball team. If you’re from the Shire, you’re probably wondering what the heck a “mamuk” is. It’s the same thing as an Oliphaunt–kinda like “turtle”/”tortoise.” See here.

Much as the Chris Ware-edited McSweeny’s comics issue had that smaller-book-within-a-book deal where there was a little John Porcillino mini folded into the book’s cover, The Hobbit Story’s features this little “bonus mini” taped right into the binding:

The insert here is (I’m guessing) showing the scene in The Hobbit where the dwarves are captured by giant spiders and sewn into their webs. The left-hand page of the big book shows Bilbo falling into Gollum’s cave. That thing that looks like a gecko is apparently Golum himself.

While I didn’t turn out to be a fantasy artist, I can’t help but think that my early love of Tolkien must have played some part in my lifelong devotion to drawing–and to books. Thanks, Mom! There are a lot of things about being a parent that are frustrating and difficult; reading to your kids isn’t one of them. Do it.

Portrait Night 5/3 (Grant Achatz)

Tonight’s #PortraitNight subject is chef and restaurateur Grant Ashatz.  This is actually one of my favorite  portraits so far, I think because it’s so stripped-down, cartoony, and not over-rendered as some of my past ones have been. It also looks like a character design that I’d actually do for one of my comics. I wonder if unconsciously–because I was drawing a chef–I made him look like one of the characters from my culinary-themed graphic novel in-progress, In the Weeds?

This turned out well enough that I got to thinking: if I did enough drawings like these, I could print up some setts of “Famous Chefs Trading Cards.” I did some cursory digging, though, and there don’t seem to be a lot of folks out there who print trading cards anymore. I’ll keep it in mind and maybe do a few more chefs as subjects for my portrait night before the year’s up. Anyway…If you’d like to suggest a #PortraitNight subject, you can do so either via the comments section here, or via my Twitter.

I’m TCAF-bound, Y’all!

You’re Going Where?!

That’s right, people: I’m breaking out of my crusty SPX/Heroes Con-only shell and exhibiting at a new (to me) convention this year! I’d heard nothing but fantastic stuff about the Toronto Comics Art Festival (AKA “TCAF”) and so I applied to exhibit this year… and was incredibly surprised and honored to have been selected for the show. So far, the show’s been impressively organized and on-the-ball–something some of its American counterparts could learn from <cough!><cough!>. For example, they’ve coordinated with Toronto’s National Post newspaper to do profile/questionnaires of many of the new exhibitors this year. Here’s mine:

On May 7 and 8, an eclectic roster of cartoonists, writers, illustrators, and artists will take over the Toronto Reference Library for the 2011 edition of the beloved Toronto Comic Arts Festival. For the past two years, the National Post has previewed TCAF by running dozens of Q&As with some of the talent attending the festival; this year, we wanted to spotlight those exhibiting at the festival for the very first time. What took them so long?

Q: Who are you? Why are you here?

A: I’m Ben Towle. I’ve come for your comics festivals!

Q: Why have you never been to TCAF before? What’s wrong with you!

A) I guess I’ve jus t been waiting for the proverbial “stars” to line up. I do a number of comics festivals each year and I had to find a good year to work TCAF into my schedule. I’d been hearing so many good things about TCAF that it had just reached a boiling point this year. I had to take the plunge. B) Lots of stuff. Don’t get me started about my lower back pain. (more here…)

Where’re You Gonna Be?

The TCAF folks just posted the floor-plan today. I’ll be on the first floor at table 129. Please come say Hi!

Click through for a bigger pic. That’s me in red there.

Also, I’ll be an “Artist-in-Residence” for TCAF: Kids from 12:00-1:00 in the afternoon on Saturday, helping out (hopefully!) aspiring young cartoonists.

What’re You Bringing?

Well, new for TCAF, I’ve got a ton of these 100% absolutely FREE Oyster War bookmarks:

I’ll leave a bunch at the free table (assuming there is one), but please do come by and pick a few up.

I’ll also have my usual wares: Amelia Earhart – This Broad Ocean, Midnight Sun, Snooker, and Farewell, Georgia. An interesting thing to note, though, is that this will be the Canadian convention debut for the Eisner-nominated Amelia Earhart: This Broad Ocean–a book which takes place entirely in Canada: first in Trepassey, Newfoundland, then later in Halifax. (Did I mention it’s nominated for an Eisner award? Just checking.) Also: unless there are some copies hiding in the corners of the SLG warehouse somewhere, I’m pretty sure the five copies I’ll have of Farewell, Georgia are the very last copies around. If you want one, you best get your behind to Canada ASAP!

I’m also bringing a bunch of original artwork for sale:

I’m not entirely sure this setup is going to work (I really should have gotten a six–rather than three–foot table), but hopefully I’ll be able to set up this original art display behind me at my table. I’ll basically have most of the stuff I’ve currently got for sale at my StoreEnvy, plus a bunch of original pages from Oyster War. As with conventions past, I’ll likely be cranking out $10 superhero mini-pinups as well–either pre-done or by request.

Come see me up north, people!

Animal Alphabet: E is for Echidna

You can follow the other “E” entries as people post them to Twitter this morning by following the #AnimalAlphabet hashtag. To see all the entries so far, check out the Animal Alphabet Tumblr: http://animalalphabet.tumblr.com.

E is for Echidna

The original art for this is for sale here.