Truer Words…

Ask The A.V. Club: December 18, 2006 | The A.V. Club on what sorts of graphic novels they’d like to see:

I’d … like to see more graphic novels that aspire to be literary, and not mere post-adolescent soap operas and melodramas. Too many of the non-fantastic “mature” graphic novels rely on disease, abuse, cultural identity crises, or just a generalized youthful ennui. All of these are fair subjects for literature—graphic or not—but it’s starting to seem like cartoonists don’t think a story is worthy unless it’s either about some really heavy topic, or panders to an audience of romantically challenged undergrads by obsessing over the minutiae of modern relationships.

I agree with this sentiment 100%.  While I’m genuinely happy for the amazing amount of mainstream press that comics have been getting lately, it’s important to keep in mind that the books accorded this interest are very very few, and not of much breadth topic-wise.

Of the six graphic novels that come to mind that have enjoyed the most mainstream success—Jimmy Corrigan, Fun Home, Blankets, Maus, Persepolis and American Born Chinese—all but one are memoir, and all but one of those deal with some sort of ethno/political/gender subject matter.

Being a cartoonist myself, I’d be pleased as punch if the supposed mainstream American readership were genuinely becoming interested in the comics art form, but as of right now, all I’m seeing is a bit of novelty interest among some of the hipper literati, focused specifically on a particular variety of comics memoir.  I’d certainly love to be convinced otherwise, though.  Perhaps if more graphic novel publishers were as forthcoming with their sales figures as First Second, one could better evaluate.

Most Dangerous Toys Ever

Features : Radar Online

Just in time for Christmas, this hilarious list of the most dangerous toys ever.  My personal favorite:

The South did rise again, at least during playtime for the owners of the Johnny Reb, a 30-inch “authentic civil war” cannon draped in the confederate flag. The Reb fired hard, plastic cannonballs with a spring mechanism—the aspiring secessionist need only pull a lanyard. No word on exactly how fast the cannonballs flew, but they traveled up to 35 feet and seemed perfectly sized to lodge into an eye socket, down an open mouth, or through a slave’s window.

For only $11.98, young rebels got a cannon, six cannon balls, a ramrod, and a rebel flag. What better way to permanently maim your little brother while spreading valuable lessons about states’ rights?

Be sure to check out the accompanying TV ad for the toy cannon. Like the jingle says, “We’ll all be gay when Johnny comes marching home!”

Comics-Related YouTube Roundup

First up: This clip of Invisible Hands, the great animated Richard Sala short series on MTV’s Liquid TV:

Here’re a couple of animated versions of Michael Kupperman strips.  Unlike a lot of this kinda stuff, these both translate really well to animated versions I think.  And they’re both hysterically funny:

And, finally, Al Hirschfeld drawing a caricature of Paul Newman. Please note that in this footage Hirschfeld is (a) 99 years old, and (b) an incredible badass:

Wha?!

It seems likely that using one’s nose for breeding purposes could in itself be the very cause of its being stuffed up.

ComicSpace.com

ComicSpace – benzilla’s Space

I’m currently the only person in the world who doesn’t have a MySpace page.  I’ve been the last of the holdouts with this whole “social networking” deal, but I’m giving this new comics-specific site a try…. So visit my page and friend me up!