Craft: Razorback Pinup

I’d normally just post an image like this one without much verbiage, but I went through some extra steps putting this one together, so I thought I’d do a “start to finish” entry on it since there’s maybe information that’ll come out of describing my methods here that could be of interest to folks.

Here’s how this all started out:  A week or so ago I got an email calling for folks attending Heroes Con 2009 comics convention to submit pinups for potential inclusion in the convention booklet.  Like any rational person, when I heard “pinup” and “comics convention,” I immediately thought of the ridiculous but also kind of cool (in a “shag carpets are actually kind of cool” way) Marvel B-string hero Razorback.  If’n you’re not in the know, Razorback is a minor superhero who appeared in a couple of Spider-Man issues in the 70s.  His real name was Buford Hollis and he spoke in CB lingo even when not talking on a CB, wore a giant electrified boar head on his own head, and had a “superpower” that enabled him to drive anything, including of course his own semi cab, the “Big Pig.”  He wore a giant electrofied boar head on his own head.  I just thought that deserved mentioning again.

Anyway, I really do like Razorback and I thought this’d be a good opportunity to work up a pinup of the character.  I figured, though, that maybe I could throw Spider-Man as well and I’d imagined a pretty simple composition, with Razorback in the lower right and Spider-Man swooping in in the top left:

razor_sketch

(At this point I’d like to point out that normally I’d not be doing nearly this much work for a single image like this.  If this were just something that were going to be printed in a comic, I’d be doing most of the planning, revising and adjusting on the page.  This, though, is something I’m hoping to sell as an original, and when that’s the case I always try to have no visible evidence of planning or corrections on the bristol board, and certainly no non-photo blue pencil visible.)

So, I started by getting the image of Razorback himself together.  Here’s a a reference image and my first pass on the character:

200px-razorback_001

(This is the early 90s John Byrne version of the character, where he’s all buff–not the original 70s version where he’s got a beer gut, but you get the idea.)

razor_1

As you can see, I do a lot of correcting by drawing in different colors.  I think this is something I picked up when I worked very briefly in animation.  I start with light blue, then switch to orange, then red, and finally a regular old HB pencil.  This allows me to go over and over the image, gradually refining it.  You can see here, for example, how the position of his legs has changed substantially over the course of the process.  I can then use Image–>Adjustment–>Hue/Saturation in Photoshop to eliminate all but the pencil drawings by turning the lightness of reds, blues, cyans and magentas all up to 100%. ( If I didn’t need this to be drawn on bristol board, I could take this one step further by then changing the pencil drawing to non-photo blue, printing it out, inking directly on that, then scanning it and getting rid of the blue–leaving just the inked image.)

Then I moved on to Spider-Man.  Although it makes no sense chronologically, I decided I wanted to attempt a classic Steve Ditko “rubber leg” Spider-Man pose:

spiderman

I wasn’t really very happy with this drawing, but I went ahead and started trying to get the two drawings laid out in a single composition in Photoshop… but, alas, nothing was coming together very well.  Given that I didn’t really like the Spider-Man image much anyway, I decided to ditch the whole original idea and instead just draw Razorback in front of his trusty semi cab, “The Big Pig.”  (I’m not making this stuff up, I promise.)

razorback8

So, I just did a quick block-in of the Big Pig behind my original Razorback drawing:

razor_pencil

Then, using a sheet of graphite transfer paper, I transferred the image to a nice clean sheet of bristol board and inked it.  Here’s the result.  Whether the folks at Heroes Con will be inclined to include something so silly in their convention booklet, I don’t know…

razorback

The Kirby Uke: Now in 3-D

Here’s something pretty cool: Issac, over at Satisfactory Comics, has posted a 3-D version of  my Jack Kirby-style Ukulele from a few days ago.   He did one version that should be able to make work without glasses, but my eyeballs weren’t cooperating.   He did, though, kindly post a traditional-style version of the image that you’ll need 3-D glasses to see.  I was a little surprised to find that I actually have two pairs of 3-D glasses readily available in my house: that 3-D Steve Ditko comic book, and Grand Funk’s LP, Shinin’ On, which features the glasses because the entire album–gatefold and all–is entirely 3-D.  You kids try to get that in your “i-tunes” internets music store!

uke3drg

In-Progress Sketchbook Grid

Every so often, I post one of these “grid drawings” from my sketchbook, but I never seem to manage to post the original doodles that each panel is based upon.   I should have done so this time before I even started, but here’s one in-progress.  What I do with these things is to grid off a page, do a quick blind contour drawing or doodle in each panel in non-photo blue pencil, then use that doodle as the basis for a little character drawing.  I’ve used Photoshop here to turn the non-photo blue in the remaining squares to black so you can see the doodles better.  I’ll post the final page for comparison when I’m done.

grid_stage1

The Jack Kirby Ukulele

Okay, it’s not really a Jack Kirby ukulele, but a while back the folks at Satisfactory Comics posted one if their “doodle penance” entries (where they draw things from their site’s log of visitor’s search terms) for the phrase “Jack Kirby Machines.”  The post featured a hilariously-accurate “how to” diagram by Isaac entitled “Principles of Kirbytech,” which you can see below:

kirbytech-principles

I thought this was especially brillaint at the time and really wanted to use it to draw some common machine that I use in my day-to-day life… but, alas, this was posted right in the middle of “crunch time” reading for the Eisner award nominations and I could do nothing about it until now.  But, with the nominating weekend over and my Amelia pages turned in, (Yea!) I’ve had some time to give it a go.

I wanted to attempt to do a Kirby version of the machine I most commonly use and my first thought was that I should do a squash racquet–but I disqualified that based on its not having any moving parts.  It’s occurred to me since then that I missed the obvious choice which would have been my daughter’s baby stroller (which I–seriously–use more than our car), but what I settled on was my ukulele.  So… here it is: the Jack Kirby ukulele.  I think I’ve made pretty good use of all the techniques outlined on Isaac’s diagram–plus I’ve added some “Kirby crackle” just from memory.

kirby_uke

Wide Awake Press FCBD Preview

This year, as with the past few years, the good folks at Wide Awake Press are offering a totally 100% free downloadble anthology.  Each year has a theme and this year’s is ancient civilizations–hence the title: The Ancient Age.  Here’s the official skinny:

The Ancient Age presented by Wide Awake Press
On May 2nd (Free Comic Book Day!) revel in a pantheon of illustrated lore from the ancient age. This free comic download gathers fantastic stories about the world’s earliest civilizations, as told by the mighty sequential artisans of today. A monumental mix of new and classic tales featuring heroes, philosophers, creatures, and gods. It’ll be spectacularly epic, epically spectacular, spantafically epilacar—it’ll be good!

And here’re the folks who contributed:

Dan Boyd, Michael Bresnahan, J Chris Campbell, Andrew Davis, Andrew Drilion, Patrick Dean, Paul Friedrich, Alexis Frederick-Frost, Justin Gammon, Bernie Gonzalas, Brad Mcgintiy, Corinne Mucha, Dusty Harbin, Mike LaRiccia, Joe Lambert, Josh Latta, Pat Lewis, Rey Ortega, Katie Skelly, Steve Steiner, Ben Towle, Rob Ullman, Jeff Zwirek

Alas, I was too busy this year to do a story, but I did contribute an illustration.

Here’s a very cool video preview put together by J. Chris Campbell:

The book itself will be posted on Free Comic Book Day; I’ll post a link to it here then.