A Child’s Garden of Mini-Comics

My father’s in town for a visit and, as is his wont, he brought with him a giant cardboard box of stuff to pawn off on me. As usual, this box contained an assortment of “closet-clearing” items (old coats, clothes), new items that he bought but doesn’t want (the two-volume Lynd Ward set!), and some of my old childhood ephemera.

Among my childhood items were two early comics I did that I’d totally forgotten about. One is a lengthy MAD magazine-esque Star Wars parody that I’ll do a post about later when I have a bit more time. The other comic, though, is–for lack of a better word–a mini-comic. Judge for yourself:

I guess construction paper pages with duct tape binding wouldn’t really make for a “buzz book” at MoCCA, but it’s not a bad effort for a kid in the early 70s. I had a “cat fixation” at one point, so I’m guessing the name “Morris” is a reference to Morris the Cat, the venerable cat food huckster of the 1970s.

Allow me to wave my cane about, implore you to GET OFF MY LAWN, and remind you that back in my day, we didn’t have photocopiers–we typed out the captions for each panel in advance… by hand… with a damn typewriter.

(No one will be seated during the “false teeth dropping out” scene!!)

OK, so this minicomic makes no sense. Maybe someday I’ll scan and post my earlier childhood effort: an all-crayon version of Lord of the Rings. It’s at least as good as Powr Mastrs.

Portrait Night 3/15 (John Irving)

This week’s Twitter #PortraitNight subject is a suggestion from Tim O’Shea of Comic Book Resources. After two disastrous attempts at his other suggestion, Peter Gabriel, I wound up switching gears and attempting a likeness of author John Irving. This was a quick drawing that took maybe twenty minutes in my sketchbook and I think turned out surprisingly…. OK.

If you’d like to suggest a #portraitnight subject, you can do so either via the comments section here, or via my Twitter.

Hot off the Press: Get Yer Oyster War Bookmarks

I’ve been making strides recently to be a better self-promoter. I’m still not on Facebook, but hey, I’ve been on Twitter for a while… and now I’ve got bookmarks! OK, bookmarks are as old-timey a promotional item as possible and not “social” in any way, shape, or form… but I’ve had good luck in the past using them as promo items (I did a pre-release Midnight Sun bookmark with the Diamond order code in it) and so I’ve done another batch in advance of convention season to promote my ongoing webcomic, Oyster War.

I actually think bookmarks are a pretty good freebie item–mainly because they’re actually useful. I’ve picked up tons of stuff off the “freebie table” at places like SPX for example, but I sure don’t have a single one of those things around any more. On the other hand, the book I’m reading right now is marked with a Garfield bookmark that I’d date (based on the non-bubbly way Garfield’s drawn) at maybe the early 80s. At any rate, here’s what the finished product looks like:

And here’s some (non-blurry) pics of the graphics, front and back:

I’ll have a pile of these with me at conventions this year, so please stop by my booth and grab a few. I’ll for sure be at TCAF in Toronto and HeroesCon in Charlotte–and maybe SPX and/or San Diego.

If you’re not going to be at a convention I’m at: I’m mailing these out to people who want them, 100% for free. I’ll put 2-3 in an envelope… whatever I can get away with for one stamp. If you want one, email me at the address up top in this site’s header image or DM me on Twitter with your mailing address and I’m happy to send you a few!

Drawing Drapery / Folds

Lately I’ve been taking a break from my obsessive sketchbook hand-drawing and have instead been doing exercises to address another problem drawing area: folds and drapery. If you’re drawing people, you’re most likely drawing them clothed (well, at least some of the time!) and that means that you need to know how to draw folds in clothing. If you don’t think that folds (called “drapery” sometimes, for purposes related to drawing) are important to how a character looks and moves, go watch The Phantom Menace. The CGI in that film wasn’t developed enough to really handle drapery correctly, so all of the CGI characters look like they’re dressed in clothing made out of Fruit Roll-Ups.

The method to my sketchbook drapery exercises is pretty much identical to my hand-drawing exercises: get a magazine and draw every fold you see until you’ve filled a page. Here are a few recent pages:

As you can see, I’m still in the learning phase with folds. One thing that really helped me, though, was the section on drapery in volume one of Walt Stanchfield’s amazing drawing-for-animation textbook, Drawn to Life. (By the way, if you want to draw anything, get these two books now. Seriously.) Here’s an excerpt of the drapery section where he details the seven basic categories of folds (originally developed in The Complete Book of Fashion Illustration by Tate & Edwards). [Edit: Tate & Edwards apparently lifted this material unaccredited from an earlier text. See the comments below the post.]

I’ve found that it really is helpful as I’m drawing to be thinking “what kind of fold is this?” from the list. For example, here are a few of the most common types of folds as spotted “in the wild”:

Now that you know the drill.. start drawing!

Potrait Night 3/8 (W.H. Auden)

Tonight’s portrait night subject is writer W.H. Auden, as suggested by Eric Newsom via Twitter. This isn’t a bad likeness, but it’s definitely a lot more literal/less cartoony than I’d like. I need to try next week to really, really push things toward a more abstract and less detailed rendering. I should really subject myself to the proverbial “taste of my own medicine” and do this great Ted Stern caricature exercise that I’ve occasionally made my students do.

If you’d like to suggest a #portraitnight subject, you can do so either via the comments section here, or via my Twitter.