My (Imaginary) Comics Podcast

It’s occurred to me lately that there aren’t a lot of great comics podcasts–or to put it more fairly: there aren’t many comics podcasts covering the sorts of comics I’m interested in in a way that I find appealing. I’m a loyal and frequent listener to the Canadian radio show/podcast Inkstuds (a weekly alt comix interview show), but beyond that, there doesn’t seem to be much up my alley on the internet “dial.”

Reflecting on things, I think the problem is with me, not with the podcasts themselves. The DIY trappings of most podcasts (comics or otherwise) just kinda bug me–the rambling unfocused chatting, the interminable and inconsistent lengths of the shows, the ambient background sounds of babies crying or hosts snacking into the mic. I think among poscast aficionados this rough-around-the-edges stuff is part of the appeal. And I can see that to some extent; when Indie Spinner Rack was up and running I came to really enjoy the show despite its being guilty of a lot of the afore-mentioned sins. Generally, though, this stuff just irritates me.

I’ve got about a bazillion time-consuming, non-paying things going on now, but–just for fun–if I were going to remedy this situation and get a comics podcast going, here’s what I’d do:

Generally

What to talk about: Indie comics, art comics, offbeat Manga, European comics, non-U.S. comics of any (interesting) variety, superhero comics doing new or innovative stuff.

What not to talk about: Anything other than the above.

When to talk about it: Once a month. Yeah, that’s not very frequent, but the idea’d be quality over quantity. I’d really want a monthly schedule to provide for time to research each show, record it, and then edit it.

How long to talk about it: An hour or less. Period.

Specifically

While there are a number of non-comics podcasts that I enjoy, I think the one I’d take as my model for my Imaginary Comics Podcast is The Dinner Party Download. What do I like about it? First, it has a definite focus: it’s designed to help you “win” your weekend social gatherings by supplying you with interesting things to talk about. More than that, though, I like the fact that the show has a regular format of themed segments. They start with a joke, introduce the show, do an interesting/off beat “moment in history” thing, have a bartender invent a drink based on that event, have a guest on, etc.

Without devoting too much thought to it, here’s the way I’d put together a structured “variety show”-type podcast about indie/alt/art/foreign/notable comics:

  • Opening reading: the month’s guest narrates aloud a few panels from a comic that he/she particularly likes or found particularly influential/inspiring. Hopefully this will be more funny than serious.
  • Show intro & host introduction: I can think of a few possible partners to co-host such a show. I’ve no idea what I’d call it.
  • Comics news: each of the two hosts would select three comics news stories that he/she found particularly important, interesting or funny and would trade off discussing them.
  • Guest: I’d not want to weight the guest segment any longer than the other main sections time-wise. There are already several podcasts that have a guest interview as the “meat” of the show; there doesn’t need to be another. The last question to the guest would always be to pick and extol the virtues of one comic he/she has recently read–which would in turn segue into…
  • Reading picks: Each host would highlight a book he/she had read and enjoyed in the preceding month.
  • Upcoming reads: Each host presents a “pick” from books slated to be released the following month.
  • Some kind of outro: I’m not really sure what to do here. An obvious choice would be a guest-picked song, but that’s kinda what Inkstuds does. Suggestions?

Anyway…

Would you listen to my Imaginary Comics Podcast? Would you? It doesn’t really matter since I can’t imagine when I’d really ever have the time to commit to something of this scope, but I guess “thinking out loud” like this is at least slightly more constructive than simply complaining.

Animal Alphabet: C is for Chevrotain

Folks are really crushing it with this whole Animal Alphabet collaborative Twitter project. Check out all the great “A” and “B” entries so far at the Animal Alphabet Tumblr: http://animalalphabet.tumblr.com. You can follow the “C” entries as people post them to Twitter this morning by following the #AnimalAlphabet hashtag.

The animal I selected for this week’s “C” entry isn’t exactly a household name animal-wise, but you can read about them here.  Anyhoo…

C is for Chevrotain

The original art for this is for sale here.

Portrait Night 4/12 (Django Reinhardt)

Tonight’s #PortraitNight subject is gypsy hot licks guitar badass Django Reinhardt. I can think of no music purchase with a higher ratio of amazing music to dollars-spent than the JSP Records 5 disc Classic Early Recordings set that you can get for $23.00 from Amazon.

Also, this image turned up when I was looking for photo reference. I have no idea what it’s from but I really dig it:

If you’d like to suggest a #PortraitNight subject, you can do so either via the comments section here, or via my Twitter.

Amelia Earhart: This Broad Ocean Nominated for Eisner Award

So, here’s something kinda crazy: just when I’d decided Amelia Earhart: This Broad Ocean had pretty much run its course, it’s been nominated for the 2011 Will Eisner Comic Industry Awards (AKA: “The Eisners”) in the Best Publication for Kids category. I’m incredibly honored–not to mention totally surprised–to receive such an accolade.

Believe it or not, this is actually my second Eisner nomination; the first was back in 2004, right after my first book, Farewell, Georgia came out. I say “believe it or not” partially because that was a ways back, but also because you’d never find that nomination by Googling me owing to my name’s having been mispelled on the ballot. Those crazy internets!

This nomination feels totally different. Back then, I had just been back reading comics for a few years and, as mentioned, Farewell, Georgia was my very first book. I’m not sure then I even knew what the heck the Eisner Awards were. I still remember the email about it I received from SLG commander-in-chief Dan Vado. It began with something like, “You may not know what these awards are, but…” In so many words, “listen up, noob, this is a big deal.”

Now I know it’s a big deal! And I’m of course incredibly honored to have Amelia recognized by the comics industry’s most prestigious awards. A big thanks goes out to Sarah Stewart Taylor, the book’s writer; Christain Trimmer, our editor at Disney/Hyperion; James Sturm of CCS; Judy Hansen, the literary agent who put this whole series deal together; the Eisner judging committee; and, especially (especially!) Jason Lutes who (as you know if you’ve read any of the process posts on this blog) did a ton of heavy lifting on this book and in a just world would be included in this nomination.

P.S. – If you have some sort of apparatus that can alter the space-time continuum such that Tiny Titans no longer exists, please contact me at the email address in the masthead.

Animal Alphabet: B is for Bush Baby

Here’s the next installment in our weekly Twitter Animal Alphabet project (hashtag #AnimalAlphabet). I was really overwhelmed with the response we got when we introduced the project a week ago. I’d imagined that Rob and I would try to keep up with one a week and maybe a “straggler” or two would join in occasionally. In fact, last week’s initial “A” entry garnered 12 entries–so many that I decided to set up a quick Tumblr for the project. You can find all of last week’s entries at: http://animalalphabet.tumblr.com. Anyway, here’s my entry for “B”:

B is for Bush Baby

The original art for this is for sale here.