Midnight Sun: One of The 15 Best Free Comics on the Kindle Fire

This popped up in my Google alerts a few days ago. My 2007 Graphic novel, Midnight Sun, is included on the Comics Alliance list of 15 best free comics for the Kindle Fire. I don’t have a Kindle Fire, so I honestly have no idea whether the article is referring to the freebie Chapter One that SLG has had available for a long time, or whether you can now get the whole book for free with the device, but if you have a Kindle Fire, give it a try and let me know!

http://www.comicsalliance.com/2012/01/26/free-comics-digital-kindle-fire/

A Year of Weekly Portraits

Roughly one year ago, I decided that the only way to get better at drawing faces was…. to draw faces–and to draw them regularly. So, beginning on January 25th of last year, I drew a portrait every week and posted each to Twitter (with the #PortraitNight hashtag) on Tuesday nights. My goal was to do this for an entire year, which as of this week I’ve accomplished. (I’ve actually done a year and a week, since I got a request for portrait #52, but wanted to wrap up with a self-portrait.)

Looking at the portraits all together now, I’d say the project had mixed results. A few of these turned out really well, a few are downright terrible, and most are just sort of OK. I’m not sure how much I really improved my ability to accurately see and draw facial likenesses, but for sure any regular drawing routine has its benefits. If I could do this project again, though, I’d make two changes:

(1) I’d branch out more as far as style and technique goes. There are a few of these where I’m trying something out of my comfort zone, but for the most part I tended to stick to my “stock” drawing tools–Pentel brush pen with digital color. I also wish that I’d pushed myself a bit more to do some of these with a far more abstracted and simplified style. I started moving that direction just slightly with the Tilda Swinton drawing, where I forced myself to do so by doing multiple iterations of the drawing, trying to simplify each time. Most of these, though, fall safely at about the ¾ mark on the old Scott McCloud “realistic-to-cartoony” scale.

(2) I wouldn’t have done so many indie/rock musicians. One of my big projects in 2011 was digitizing all of my old CDs and as a result, I think I was really in “music mode” for a lot of the year. I also read Our Band Could Be Your Life 2011 and decided to draw a musician from each chapter of that. A result of doing all these musician drawings is a preponderance of 25-40 year old white guys as subjects. Drawing on a broader group of subjects would definitely have made this a more valuable exercise.

Anyway, it was a rewarding project and I hope I’ve gotten at least a tiny bit better at drawing likenesses. Here’s a gallery of them all in chronological order. Clicking on the image will take you to the full Picasa gallery:

My Top Three Most Overlooked Books Of 2011

I neglected to do a top ten list for 2011. Partially I was just busy–but also, looking at the lists that other people together, I realized that there are a lot of major books that dropped in 2011 that I’ve not read yet. I have, though, noticed a conspicuous absence in most of these Best Of 2011 lists of three of last year’s books that I certainly would have put on my list if I’d made one.

I’ll preface this by noting that these books my have not made the big Best Of lists for reasons entirely unrelated to their quality: none is an original work of fiction first published in 2011. One is a previously-published foreign book, translated and published domestically in 2011; one is a collection of short stories that were published as minicomics and collected only this past year; and one is a cartoonist’s excerpted sketchbooks, available only via his website or at convention appearances. Regardless, here are three of my favorite books from 2011 that I’ve seen criminally little acknowledgement of:

1) Pinocchio by Winshluss – If you need any convincing of how ignored this book has been, do a Google search for it. The fourth result you’ll get will likely be my review on this very blog. You can read that blog entry to get an idea of what an amazing book this is. It’s been out in France for a while and was an Angoulême winner, but was only translated into English and made available in 2011 by Last Gasp. If I had to guess, I’d say there’re two main reasons this book got swept under the rug: (1) people probably thought is was some kids-oriented comics version of the traditional Pinocchio story–it ain’t by a long shot, believe me!–and (2) it had the misfortune to come out the same day as Chester Brown’s Paying For It.

2) I Will Bite You by Joe Lambert – If you’re into the minicomics scene (whatever the heck that is, exactly) and hit conventions like SPX regularly you probably know Joe Lambert’s work. He’s a prolific producer of gorgeously-drawn, formally-ambitious minicomics whose work I first became aware of via some of my visits to The Center for Cartoon Studies. I’ve grabbed his work whenever I’ve had the opportunity to, but he’s hard to keep up with. Thankfully, Secret Acres collected a lot of his minicomics work in I Will Bite You in 2011. As you can imagine with a collection of a ton of individual minis, there’s a bit of thematic overlap here–and it’s for sure a collection more than a book–but this volume is a pretty great introduction to the work of a flat-out amazing cartoonist who you’re guaranteed to hear more of in the future.

3) Sketchbooks by Chris Schweizer – A lot of cartoonists do self-published booklets of their sketchbook drawings to sell at comics conventions, but few–if any–have produced a publication that’s as professional and as insightful process-wise as this sketchbook collection is. Chris’s Sketchbooks contains tons and tons of developmental drawings from his Crogan’s Adventure series as well as other drawings, but  what really puts this book over the top for me is all the great writing by Chris, describing his thought processes and drawing routines. You can buy it here.

 

Portrait Night 1/24 (Ben Towle)

Well, that’s all folks. It was one year ago that I set out to draw a portrait every Tuesday night for a full year. I thought it would be appropriate for my final entry to attempt a self-portrait, something I don’t think I’ve done since I was a college sophomore in the late 80s. I really don’t recommend it–I really don’t need to be this intimately reminded of all my weird moles, gradually receding hairline, etc.

Later this week, I’ll work up a more extensive “project summary” blog post with some post-completion reflections/observations and full a gallery of all the portraits, but here’s the final #PortraitNight subject: me.

I look super-cranky here, but I’m a nice guy, I promise! I was just irritated because I was having a hard time successfully taking a picture of myself in the bathroom mirror. How do those “duckface” women do it so successfully?

Here’s me in real life. Sorry about the scan-of-a-printout-of-pictures. I printed my photo reference and then deleted the pics from my camera.

O is for Osquip

There were a number of interesting “O” Dungeons & Dragons creature choices for this week’s AlphaBeasts, but once I crossed the osquip in the Fiend Folio my mind was made up. Partially I think it’s because he’s clearly the ancestor of the watery-beer-shilling “Spuds MacKenzie,” commercial icon of the 80s. The osquip is the original original party animal.Also, though, he looks a lot like the signature dogs drawn by one of my favorite New Yorker cartoonists,  George Booth:Anyhoo, here he is:

O is for Osquip

The original art for this is for sale here.