Con Appearance: HeroesCon June 24th & 25th, Charlotte NC

HeroesCon

It’s been three years, but HeroesCon is back, y’all! 

I’m super-excited to be returning to HeroesCon’s “Indie Island” next weekend in Charlotte, NC. I’ll be at table ii-1261. That’s dead center, in the first row of Indie Island tables. 

I’ll have copies of the Eisner-nominated Four-Fisted Tales for sale, as well as all of my previous books.

Note that I’ll be there Friday and Saturday only–not Sunday. 

MEGA-Panel! 

Also back after three years is the HeroesCon MEGA-Panel that Jennie Law, Craig Fischer, and I have been doing at the show for many years. This year’s topic, as you can see below is, “Believe It or Burn! Comics, Religion, and Spirituality.” 

Saturday at 2:00 pm in room 205.

This year’s Heroes Con mega-panel—the first in three years!—explores the intersection of comics with issues of faith and belief. We’ll interview cartoonist Noah Van Sciver about his forthcoming graphic biography Joseph Smith and the Mormons (Abrams), while artist and graphic designer Kayla E. will talk about the spiritual themes in her paintings and upcoming comics memoir Precious Rubbish (Fantagraphics). Then Kayla will join Minister Shakeisha Holton Gray (Piedmont Unitarian Universalist Church) and Professor Andrew Kunka (University of South Carolina, Sumter) for a roundtable discussion about Justin Green’s classic underground comic Binky Brown Meets the Holy Virgin Mary. Plus: mega-panel co-organizer Jennie Law on versions of the Devil depicted in comic books, and co-organizer Ben Towle on convincing and less-so fictional comic-book religions, with a look at The Replacement God, The Incal, and more. Join us for worship! Panel recommended for adults.

Come one, come all! 

Con Appearance: SPACE May 21st and 22nd, Columbus OH

I’m excited to announce that I’ll be appearing at SPACE (the Small Press and Alternative Comics Expo) here in Columbus on this coming weekend, May 21st and 22nd. You can find info about SPACE at their website.

The show is in the Rhodes Center building at the Ohio Expo Center. I’ll be at table F06, around the corner from the CXC table and in front of the exit. 

This will be my first time appearing at SPACE and I’m really looking forward to it! And check out this pretty great list of other exhibitors.

I will have copies of all my books available for sale and am happy to sign/sketch for anyone interested. See you then! 

What I Read in 2021

As has become my tradition in the past few years, here’s a list of the comics and comics-related stuff I read this past year.


Steve Ditko in the 1960’s: In His Own Words, In His Interviews, In the Words of the Fans Who Knew Him
Edited by . J Ballmann

STEVE DITKO IN THE 1960s: In His Own Words, In His Interviews, In the Words of the Fans Who Knew Him: Ballmann, J: 9798647548597: Amazon.com: Books

This is a fascinating compilation of ’60s fanzine writing on Steve Ditko. It’s self-published and (as far as I know) only available POD via Amazon. The Ditko stuff is interesting of course, but just as interesting to me was some of the stuff that’s just tangentially mentioned. Specifically ,it’s interesting to see in what high regard Carmine Infantino was held and how much grousing there was about Jack Kirby–of course, these days Kirby is highly revered and Infantino more of a “deep cut” artist. [link]

Gon – Complete three-volume set, Color Special
by Masashi Tanaka

Image

Rebecca managed to track down this beautiful Italian slipcase edition of Gon. I’d read most of this before (I think I was maybe missing one of the old CMX volumes?) but it’s absolutely amazing stuff that’s worth a re-read.  If anything, I was more blown away by the jaw-dropping drawing this time than on my initial read. Also: the slipcase has a TAIL! 

I also read the old DC color special. The stories were solid… but such a big part of what I love about Gon is the B&W ink-work. I can’t say I enjoyed it a ton, but it’s interesting to see Tanaka work in color.

Eddie’s Week
by Patrick Dean

Eddie's Week by Patrick Dean – Silver Sprocket

Sadly, this is Patrick’s first and only full-length comic he produced before he succumbed to ALS last year.  I’ve known and been a fan of Patrick’s for many years via the “Indie Island” gang of cartoonists who frequented Heroes Con annually. Reading this amazing, bizarre, and hilarious story–drawn in his manic, Jack Davis-turned-up-to-eleven style just further makes one realize what an amazing talent we’ve lost. 

Witch Hat Atelier – Vol 4
by Kamome Shirahama

True Believer: The Rise and Fall of Stan Lee
by Abraham Riesman

Lost Popeye Vol I: Susie the Sea Nymph starring in Spinach Springs
by Tom Sims and Bella Zaboly

I’m not sure who’s behind the “Lost Dailies” account that’s been assembling these PDF zines of heretofore uncollected Popeye strips, but they’re really fantastic. There are now a ton of these collections, comprising the stories directly post-Segar, which–as far as I know–have neve been collected. I’m not sure if these are public domain or not at this point, so I’d grab them now just in case! [link]

Rubber Blanket – #1, #2
by David Mazzucchelli, others

Bubbles – #9, #10
Edited by Brian Baynes

Oh, Wicked Wanda!
by Frederic Mullally and Ron Embleton

OH, WICKED WANDA PENTHOUSE GRAPHIC NOVEL: Amazon.com: Books

OK, I admit I stopped actually reading this about a third of the way in, but man is it pretty gorgeous (and pretty bonkers generally). I tracked this collection down after watching a Cartoonist Kayfabe episode on Little Annie Fanny and it got me thinking about the very peculiar phenomenon of painted comics that ran in “men’s magazines” in the ’70s. It’s hard to wrap my brain around the time (and finances) involved in producing these on a monthly basis. I’ve not read much Little Annie Fanny, but from what I’ve seen, Wicked Wanda strikes me as more fun, less labored, and a whole lot crazier story-wise. 

Jack Kirby: The Epic Life of the King of Comics
by Tom Scioli

No Romance in Hell
by Hyena Hell

Jiro Taniguchi Art Work Book
by Jiro Taniguchi

Dope Dealer, Rotten
by M.S. Harkness

The Columbus Scribbler #5
Various

Peau d’homme
by Hubert and Zanzim

Peau d'Homme: Zanzim, Hubert, Zanzim: 9782344010648: Amazon.com: Books

This was hands-down my favorite book of 2021. A young woman in Renaissance Italy is about to be wed in an arranged marriage to a man she doesn’t know. The women in her family, though, possess a magical “man skin” that, when put on, turns the wearer into “Lorenzo,” an attractive young man. Using this, she spies on her soon-to-be-husband and discovers he’s gay. The two (with her as Lorenzo) fall in love. 

It’s an amazing setup that explores gender, gender roles, love, sexuality, morality, hypocrisy, and more–and does so in a way that’s at times serious and harrowing and at other times abjectly hilarious. There’s–thankfully–now an English translation! (Although, I’m still glad I have/read the French edition, as the English version is a much smaller trim size and is on glossy paper stock–booooo!) [link]

Don’t Get Eaten by Anything: A Collection of the Dailies 2011-2013
by Dakota McFadzean

The Big Me Book
by Tom Van Deusen

X-Mag #1
Various

Son of Tomahawk: The Forgotten Masterpiece of American Comics
by Matt Seneca

Image of SON OF TOMAHAWK #141

I’m a big fan of Matt Seneca’s writing and will pick up his self-published collections of comics writing whenever I catch wind of them. This one’s particularly interesting, though. It’s an exploration of the 70’s Frank Thorne-drawn DC comics Western series, Son of Tomahawk–or as Seneca puts it, “the best comic you’ve never heard of.” I can’t vouch for whether that’s true or not until I’ve tracked down the issues and read them, but he sure makes a compelling case for it here.

Poison Flowers and Pandemonium
by Richard Sala

The Magic Whistle #15
by Sam Henderson

King Cat #79
by John Porcellino

Cosmic Be-ing #4
by Alex Graham

Chris Ware
by Daniel Raeburn

Caniffer #1, #2
by Frank Santoro

This is (so far) a five-part series of self-published zines taking a wholistic look at the “Ohio school” of cartooning. The aesthetic here–all lower case, typewriter-written, hand-corrections, etc. is fun, if a bit kayfabe-ish, but it’s the content that’s fascinating. The deep dive through Ohio’s rich cartooning tradition loops in all sorts of interesting figures–some well known and some not so much: Charles Landon (of the “Landon School of Cartooning” correspondence course), Roy Crane, Milt Caniff (obviously), Billy Ireland, Edwina Dumm, and more… 

That Ol’ English
by C.M. Campbell

Magical Beatdown #2
by Jenn Woodall

Orphan and the Five Beasts #1, #2
by James Stokoe

40 Days dans le Désert B
by Moebius

Drawing Fire: The Editorial Cartoons of Bill Mauldin
Edited by Todd DePastino

I picked this up at the amazing “Drawn to Combat” exhibit of Mauldin’s work at the Pritzker Military Museum & Library in Chicago. Its main draw is the pictures of some of the originals that were on display at the show, but its text content consists of essays about Mauldin from various notable figures such as Tom Brokaw, Jean Schulz, Tom Hanks, etc. There’s a bit of redundancy among the essays–and definitely more so if you’ve read editor Todd DePastino’s excellent Mauldin bio–but the book’s definitely worth picking up. [link]

Baltimore Comic-Con – Oct 22-24!

I’m kinda, sorta starting to dip my toes back into the con circuit and will be making an appearance at Baltimore Comic-Con next weekend! I’ll be there all three days–Friday through Sunday. You can find me at booth K-19 in the Kids Love Comics pavilion (full map here):

I’ll also be signing copies of Four-Fisted Tales at the publisher’s booth at the following times:

Friday, 4:00-5:00 PM
Saturday, 10:00 AM – 11:00 AM
Sunday, 1:30-2:30   

Dead Reckoning’s booth is 3701:

I’ll have copies at my booth of Four-Fisted Tales, the new Hachette release of Amelia Earhart: This Broad Ocean, and Oyster War–and signed Four-Fisted Tales bookplates will be available both at my booth and at Dead Reckoning’s table.  

Hope to see you there!

(Note that masks are required as well as proof of vaccination OR proof of a negative COVID test within 72 hours of admission for all attendees [including children])

The Strange Case of the Popeye Paddle-Wagon

So, I’m hoping this will be just the first part of what will eventually be a longer post once I’ve uncovered more information… but for now, here’s what I know about a peculiar Popeye toy that I’d forgotten about until pretty recently. 

2020 marked the 40th anniversary of the 1980 Robert Altman-directed film adaptation of Popeye and as a tie-in there was (finally!) a blu-ray version of the film released. This movie was a childhood favorite of mine (and the blu-ray is only $10.00?) so I picked it up. I don’t have much to compare it to other than vague memories of what it looked like on VHS, but the print looks great. The extra features are pretty anemic, but whatevs, I’ll take what I can get.

While watching the final (and admittedly, kinda languidly-paced) boat chase scene, I noticed the design of this boat. Note that this is a view of the back of the boat:

(Sorry about the picture quality.  My computer’s so old it won’t play blu-rays, so I had to take a picture of the screen!)

What caught my eye about this is that the vessel has a number of design similarities with a toy I used to have as a child, the Popeye “Paddle-Wagon.” This toy was apparently made by Corgi, and was part of a line of “Corgi Comics” vehicles. 

The two most obvious similarities are the paddlewheels themselves and the rear-mounted, suspended life boat. The smokestacks are also pretty similar–although not exact duplicates. 

So, what’s up with these two vehicles? Seems like these are the possibilities:

  1. They’re both based on some pre-existing vehicle from Popeye comics or cartoons
  2. The design of the boat in the Altman film is influenced by the toy
  3. Complete coincidence 

I started by seeing what I could turn up about the toy. I found a picture of the toy in the original box and was curious about the “Corgi Comics” badge.

I dug around to find out what other vehicles were part of this line, but I turned up very little. Curiously this “Noddy” vehicle is shown next to the Paddle-Wagon in a 1970-71 Corgi catalog… but Noddy is a children’s book character, not a character from comics. 

That same catalog has a Batmobile, but it’s apparently not a part of the Corgi Comics line (which makes since, since it’s the Batmobile from the 1966 TV show).

Despite my well-known love of Popeye, the only stuff I’m really super-familiar with are the E.C. Segar Thimble Theater strips and the Fleischer cartoons. I couldn’t recall anything even vaguely resembling the Paddle-Wagon from either of those sources, and the only thing a Twitter call-out yielded was this boat/car from the later cartoon episode Ace of Space:

 

Obviously, there’s no real resemblance here other than the general concept of a car combined with some boat aesthetics.

So… a dead end.

But, If anyone has any further info on the Paddle-Wagon, please contact me via email (in the nav bar above) or via a comment to this post!