{"id":380,"date":"2006-04-16T10:59:44","date_gmt":"2006-04-16T15:59:44","guid":{"rendered":"http:\/\/www.benzilla.com\/?p=380"},"modified":"2006-10-17T14:55:33","modified_gmt":"2006-10-17T19:55:33","slug":"if-i-were-king-of-spx","status":"publish","type":"post","link":"https:\/\/www.benzilla.com\/?p=380","title":{"rendered":"If I Were King of SPX"},"content":{"rendered":"<p>\u201cIf I Were King of SPX\u201d<\/p>\n<p>Prompted by <a href=\"http:\/\/www.comicsreporter.com\/index.php\/briefings\/eurocomics\/4748\/\">Bart Beaty\u2019s recent essay<\/a> as well as some general discussion at the most recent meeting of the <a href=\"http:\/\/www.cartoonists.ws\">Camel City Cartoonists\u2019 Guild and Social Club<\/a>, I thought I\u2019d formalize a few of my thoughts on the matter.  While I personally don\u2019t see Beaty\u2019s proposed European-style largely commerce-free art festival model being feasible in the U.S. in the near term, I think there\u2019re some definite steps that could be done to make SPX a far, far better event.  In an imaginary world where I\u2019m the king of SPX, here\u2019s what I\u2019d do:<\/p>\n<p><strong>(1) I\u2019d return the Expo to Bethesda\u2019s restaurant district or, barring that, explore another location.<br \/>\n<\/strong><br \/>\nThe virtues of SPX\u2019s original location are threefold:<\/p>\n<p>First, large scale geography \u2013 Bethesda, Maryland is about dead center in the Mid-Atlantic region of the U.S., making it an accessible one day drive from everywhere from upstate New York to Atlanta Georgia and similarly westward.<\/p>\n<p>Second, economy \u2013 Unlike the its chief competitor, MoCCA, which is held in New York City, SPX was affordable.  Hotels within walking distance could be had for under $100.00\/night, and even cheaper if one were willing to go a few Metro stops toward Rockville.  Similarly so with everything else&#8211;food, beer whatever.  (Last time I was in New York, which was nearly ten years ago, a bottle of Budweiser cost $6.50.  God knows what you\u2019d be charged now\u2014and if you\u2019ve hung around for the evening festivities at SPX, you\u2019ll know this is something to consider.)   <\/p>\n<p>Third, small scale geography \u2013 Everything is within walking distance of the old SPX location, most importantly tons and tons of great restaurants.  Everything from cheap decent pizza  by the slice to upscale four-star cuisine is within a short walk.<\/p>\n<p>SPX\u2019s new location retains only the first item above.  The only hotel nearby is the host hotel and it\u2019s expensive.  Even if the advertised but apparently non-existent \u201cExpo rate\u201d were available, it\u2019d be expensive.  It\u2019s also in an un-fun, nothing within walking distance, shopping mall area of Maryland.  Let\u2019s face it: it\u2019s in Rockville.  The hotel claims it\u2019s in \u201cNorth Bethesda.\u201d  My parents were born and raised in Bethesda; they\u2019ve never heard of \u201cNorth Bethesda.\u201d  Maybe it\u2019s something new.  Mapquest it.  It sure as hell looks to me like it\u2019s in Rockville.  <\/p>\n<p>If Bethesda\u2019s Restaurant district is unworkable, I\u2019d consider finding another location that satisfies the thee criteria above.  Off the top of my head, I\u2019d consider places like Asheville, North Carolina; Richmond, Virginia;  and Norfolk, Virginia.<\/p>\n<p>The main problem I see with SPX in general is that it\u2019s basically a three hour walkthrough\u2026and that\u2019s it.  A guest can see all there is to see in about three hours.  But I think there are some simple things that could be done to address this, like:<\/p>\n<p><strong>(2) Add an original art show<\/strong><\/p>\n<p>Why wouldn\u2019t I do this?  It\u2019d be a good draw and it\u2019d help diminish the perception that attendees at SPX are paying for the privilege  of buying stuff.  This can\u2019t be that hard to put together.  Hell, I\u2019ll bet I could put on a decent show like this just by emailing people who happen to be in my address book right now.  Or even better, join forces with <a href=\"http:\/\/cartoonstudies.org\">Vermont\u2019s Center for Cartoon Studies<\/a>.  They\u2019re amassing an incredible collection of original art and I\u2019ll bet they\u2019d love to have it shown in exchange for the tons of branding and press exposure that such a partnership would create.<\/p>\n<p><strong>(3) I\u2019d return the festival to three days and offer tables in three different schedule blocks.<\/strong><\/p>\n<p>I\u2019d run the festival from three until eight on Friday, all day on Saturday, and ten until maybe three on Sunday.  I\u2019d also offer three \u201cflavors\u201d of tables to purchase: a \u201cFriday and Saturday\u201d deal, an \u201call three days\u201d deal, and a \u201cSaturday and Sunday\u201d deal.  Yeah, this\u2019d be a logistical hassle, but here\u2019s my reasoning. First, you\u2019d maybe bring some new folks onboard with the cheaper two-day packages, and second, you\u2019d create a situation where a guest who came on Friday could return on Sunday and maybe see some different stuff.<\/p>\n<p><strong>(4) Assuming the event continues to be in Bethesda, I\u2019d kiss and make up with <a href=\"http:\/\/go.to\/icaf \">ICAF<\/a>.<\/strong><\/p>\n<p>I don\u2019t know what the details were of how this rift got started and I wouldn\u2019t care.  Both organizations could benefit from letting bygones be bygones.  With both running concurrently, ICAF starting usually on Wednesday and SPX then cranking up on Friday, having these two comics-related festivals not cooperating is just plain silly.  <\/p>\n<p>ICAF is now held at the Library of Congress, which is a great location and unlikely to change, but that doesn\u2019t preclude some good  (dare I use the word?) <em>synergy<\/em> between the organizations.  Most obviously, \u201csharing\u201d heavy-hitter guests between the two events.  If, say Jules Feiffer (or whomever) was already in town for ICAF and maybe Harvey Pekar was in town for SPX, why not share the costs of putting these guests up for the week among the events and have them speak at both locations?  Or better yet, start coordinating before the guest lists are put togther\u2014If both event planners knew some kind of financial partnership was potentially in the mix, they might both be able to get better and better guests by pooling their resources.<\/p>\n<p>I\u2019d also coordinate with ICAF to make sure that there be dedicated and coordinated times in both event\u2019s schedules for a planned \u201ccrossover\u201d where two co-sponsored events could be held, one at the SPX location and one at ICAF, with \u201cdead time\u201d in each schedule for commuting to and from.  The last event on Friday and the last event on Saturday seem like logical choices.  This\u2019d be a great way as well for the two communities to intermix a bit.<br \/>\n<strong><br \/>\n(5) I\u2019d really, really push the programming aspect<\/strong><\/p>\n<p>Between the guests at SPX, the exhibitors at SPX, and even a potential crossover with ICAF, there\u2019s no excuse for a lackluster line-up of lectures and panels.  As the SPX exhibitor applications rolled in, I\u2019d be emailing back everyone who I thought could possibly contribute to an interesting panel.  Again, this would fight the \u201cthree hour walk-around\u201d problem.<\/p>\n<p><strong>(6) I\u2019d work with publishers and exhibitors to get them to offer SPX-only deals, and to debut books at the show.<\/strong><\/p>\n<p>Why would I come to SPX to buy a copy of \u201cIce Haven\u201d for $5.00 more than I would pay if I had just stayed home and ordered it on Amazon?  All kinds of middle men are presumably cut out of the deal when the publisher can just hand you the book and you just hand back the money\u2014someone please explain to me why this shouldn\u2019t be the case?  (I know local retailers don\u2019t like this kind of thing, but you could  exclude big new releases from the price break.)<\/p>\n<p><strong>(7) I\u2019d behave professionally and keep the lines of communication open<\/strong><\/p>\n<p>This means I\u2019d answer emails about the festival in a timely manner, keep the SPX site updated, do official press releases to disseminate information, let people know when their application has been received, not hold checks uncashed for months at a time, etc.  This should go without saying.<\/p>\n<p><strong>(8) I\u2019d make it clear in the registration information that engaging in obnoxious\/&#8221;hard sell&#8221;\/carnival barker behavior will not be tolerated.<\/strong><\/p>\n<p> The attendees of an event like SPX are already asked to participate in a somewhat odd prospect of <em>paying to shop<\/em>(?!)  The very least courtesy these people should be afforded is to be able to do so in relative peace.  <\/p>\n<p>&#8212;-<\/p>\n<p>Would this stuff involve more work?  Absolutely.  Would it make for a better festival, a festival with a broader appeal and a growing attendance?  I really, really believe it would.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cIf I Were King of SPX\u201d Prompted by Bart Beaty\u2019s recent essay as well as some general discussion at the most recent meeting of the Camel City Cartoonists\u2019 Guild and Social Club, I thought I\u2019d formalize a few of my thoughts on the matter. While I personally don\u2019t see Beaty\u2019s proposed European-style largely commerce-free art &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/www.benzilla.com\/?p=380\">Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false,"_links_to":"","_links_to_target":""},"categories":[],"tags":[45],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p46veT-68","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.benzilla.com\/index.php?rest_route=\/wp\/v2\/posts\/380"}],"collection":[{"href":"https:\/\/www.benzilla.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.benzilla.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.benzilla.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.benzilla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=380"}],"version-history":[{"count":0,"href":"https:\/\/www.benzilla.com\/index.php?rest_route=\/wp\/v2\/posts\/380\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.benzilla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.benzilla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.benzilla.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}